Dada + fruitseller, 2019
Digital embroidery on recycled polyester
Family Portraits // Collaboration with Rita Silva, 2019
This work arises out of a classic mixed media stitch brief at the Royal College: experiment with one stitch per week, freely interpreting it in any way I wish. At this stage I am concerned mainly with ‘finding out’ activities within the broad confines of a textile practice - what am I thinking about, what do I reach for?
Dinner party at Dadi’s house / Nowhere to be seen, 2020
Annotated archival photograph on leftover dye sublimation paper
A starting point is always a family photograph or material artefact - encasing a broken relation or a visceral memory. I start by stitching directly onto these. However, I find a tendency to over-design and the scale too, feels all wrong. In my collaboration with photographer Rita Silva, I come upon the idea that more important than planning a thing ‘to make’ may be showing up in a space and engaging in a process. Something is bound to develop.
Family portrait, 2019
Recorded performance, oil pastel on paper with projected image
© Mashal Chaudhri and Rita Silva
What follows is a series of improvised exercises, a collaborative filmed performance, a collection of black & white photographs that Rita develops, and a live action painting. I discover that even if something does not feel like a success, what is important is the vitality of the body in participating.
Family portrait, 2019
1720 mm x 2500 mm
Oil pastel on paper
© Mashal Chaudhri and Rita Silva
Still from body stitches, 2019
Recorded performance, moving image
© Mashal Chaudhri and Rita Silva
Earlier textilic processes assume a greater significance once I return to reflect on them after these bodily exercises. Involving the body in a fuller way adds more meaning to the textilic acts - taking them from mere colour matching or stitching activities to a credible attempt at invoking meaning. Dying or stitching thus becomes an emotional activity and there is no going back from this.
Colour matching, 2019
Reference photograph + dye book samples
Colour matching, 2019
Dye book samples









Family portraits (black and white series), 2019
Kodak Portra 120 developed with B&W chemistry by Rita Silva
© Mashal Chaudhri and Rita Silva
—
References
Almeida, Helena. Seduzir, 2002, Coll. Helga de Alvear-Madrid/Cáceres. For image, see here.