Family Portraits // Collaboration with Rita Silva, 2019
This work arises out of a classic mixed media stitch brief at the Royal College: experiment with one stitch per week, freely interpreting it in any way I wish. At this stage I am concerned mainly with ‘finding out’ activities within the broad confines of a textile practice - what am I thinking about, what do I reach for?
A starting point is always a family photograph or material artefact - encasing a broken relation or a visceral memory. I start by stitching directly onto these. However, I find a tendency to over-design and the scale too, feels all wrong. In my collaboration with photographer Rita Silva, I come upon the idea that more important than planning a thing ‘to make’ may be showing up in a space and engaging in a process. Something is bound to develop.
What follows is a series of improvised exercises, a collaborative filmed performance, a collection of black & white photographs that Rita develops, and a live action painting. I discover that even if something does not feel like a success, what is important is the vitality of the body in participating.
Earlier textilic processes assume a greater significance once I return to reflect on them after these bodily exercises. Involving the body in a fuller way adds more meaning to the textilic acts - taking them from mere colour matching or stitching activities to a credible attempt at invoking meaning. Dying or stitching thus becomes an emotional activity and there is no going back from this.
Family portraits (black and white series), 2019
Kodak Portra 120 developed with B&W chemistry by Rita Silva
© Mashal Chaudhri and Rita Silva
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References
Almeida, Helena. Seduzir, 2002, Coll. Helga de Alvear-Madrid/Cáceres. For image, see here.